Albert Chubac
3 works in the collection
Born in Geneva in 1925, Albert Chubac trained in decorative and fine arts. Form and colour are central to his practice; his work is held and presented by MAMAC in Nice.
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— Artists
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Anthony Alberti
2 works in the collection
A black-and-white photograph with a frontal, radical aesthetic. The partially veiled female body confronts the viewer's gaze without restraint, reflecting Anthony Alberti's provocative approach. Religious and cultural symbols inscribed directly on the skin, combined with an assertive gesture, question notions of faith, identity and individual freedom, continuing the artist's engaged practice.
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B. Baranski
2 works in the collection
A tribute to the Caravaggio-inspired aesthetic of Georges de La Tour, characterised by controlled chiaroscuro and light focused on the face. The intimate scene, lit by candlelight, highlights the softness of the features and the subject's contemplative state. Executed on a wooden panel, the work is inscribed within a classical tradition while asserting a contemporary execution. Unique work — Romanenko collection.
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Blek le Rat
1 work in the collection
A red stencil applied to patinated wooden slats, signed 'Blek 90'. The gesture, inherited from the artist's urban vocabulary, plays on the contrast between the raw quality of the support and the graphic precision of the motif. A testament to an era in which the stencil imposed itself as an autonomous form of writing, the work retains the silent and critical charge of original street art.
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Cambier
2 works in the collection
An oneiric landscape structured around a red cube in levitation, resting on angular architectural planes dominating a dark city. In the background, a monumental rocky island emerges from the sea, surmounted by a red solar disc. Marked contrast between deep blues and intense reds, creating a strong visual tension.
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Carybé
1 work in the collection
An enigmatic and poetic bronze scene: two stylised human figures take their place on the back of a horse in motion, accompanied by a figure walking at its side. The elongated, almost wire-thin bodies and deliberately unrealistic proportions lend the work a narrative and oneiric dimension. Carybé — Héctor Julio Paride Bernabo — extends here his plastic vocabulary nourished by Latin American imagination and collective memory. Provenance: Romanenko collection.
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Claude Gilli
1 work in the collection
An emblematic work from Claude Gilli's universe, blending humour, organic sensuality and material experimentation. This piece consists of a cut plexiglas panel on which translucent snail forms in resin are affixed, in warm tones ranging from amber to rosy red. Unique work.
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Daniela Stolarova Schmucki
4 works in the collection
A female portrait treated in a dense and fragmented composition. The face, placed on the right side of the canvas, emerges from an environment constructed by superimposed planes, wood textures and architectural lines.
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Dorota Cichosz Obada
3 works in the collection
A palette dominated by muted tones punctuated by luminous accents, reinforcing the depth and visual tension of the whole. Oscillating between abstraction and figuration, this work bears witness to a structured and expressive pictorial research, characteristic of the artist's practice at the turn of the 1990s.
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Escher
1 work in the collection
A set of six minimalist drawings representing intertwined couples. Free and spontaneous line, economy of means, immediate expressivity. Presented under a single mat.
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Hervé Di Rosa
1 work in the collection
A figure composed of stacked characters with round and expressive forms, arms raised in a posture that is both playful and unstable. The deliberately naïve treatment, formal humour and visual narrative are emblematic of Di Rosa's universe.
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Jean-Michel Pradel-Fraysse
1 work in the collection
A sculpture representing a Bull Terrier caught in an alert posture, body leaning forward and head slightly tilted. The modelling highlights the compact musculature of the animal, with precise work on volumes and anatomical tensions. The mirrored surface of the chromed bronze captures light and accentuates the sculptural character of the work, in which the animal's vigilance engages in dialogue with the industrial brilliance of the material.
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John Isaacs
1 work in the collection
A sculpture representing a circular architecture evoking an ancient tower, progressively absorbed by an organic mass akin to a root or rock formation. The tension between human structure and natural matter creates a powerful symbolic reading: construction, collapse, memory. The surface bears an aged patina reinforcing the archaeological aspect. Edition 3/8.
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Kinjo Ladislas
1 work in the collection
The crinkled surface responds to the artist's emblematic technique: work on folded kraft paper, marouflage and successive paint projections, which bring forth a dense texture of superimpositions and pictorial accidents. The material appears to vibrate of its own accord, bearing witness to a research into gesture, energy and trace characteristic of Kinjo Ladislas's practice between the 1980s and 1990s.
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Lampka
2 works in the collection
A refined graphic composition in which two stylised figures respond to each other in silent balance. The fluid, continuous black lines stand out against a light ground of warm nuances, establishing a subtle contrast between formal tension and visual calm. A work rooted in both a symbolic and resolutely contemporary language.
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Longin Szmyd
1 work in the collection
A rehearsal scene captured in a suspended moment: the dancers are shown on the floor in a resting posture, in front of a studio mirror. The balanced horizontal composition unfolds within a soft palette dominated by greys, blacks and ochres. The work holds its tension in the gap between the physical effort of the working body and the apparent calm of the moment, a recurrent theme in the artist's gaze upon dance.
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Marie Aimée Tirole
1 work in the collection
A contemporary scene with frontal framing, in which a woman in a pink dress seated beside a pink chair engages with a miniature telephone and a plastic duck placed on a keyboard. The palette unifies the subject and its décor within the same saturated chromatic field, from which emerges a soft unease between studio artifice, pop irony and domestic tenderness.
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Marzena Slusarczyk
1 work in the collection
A contemporary figurative painting of a woman seen from behind, at the wheel of a vintage automobile. The horizontal framing and attenuated palette establish a cinematic retro atmosphere, in which movement and light appear suspended. A silent image evoking the inner journey and the feeling of freedom.
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Mattia Moreni
4 works in the collection
A mechanical and gestural composition with handwritten inscriptions. Blue, brown, black and red palette. Typical of Moreni's practice, centred on the tension between machine and expression.
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Mimmo Rotella
2 works in the collection
From 1953, Mimmo Rotella develops décollage. Posters taken from city walls are assembled and torn again in the studio: fragments, layers and tears become the material of the composition.
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Nicola Davide Angerame
1 work in the collection
A minimalist photographic composition in which the horizon line dissolves into the luminous matter of water and sky. The interplay of contrasts and silvery nuances transforms the seascape into a near-abstract image, an invitation to contemplative and silent reading. A work of strong visual presence, emblematic of the artist's research into perception and space.
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Raymond Hains
2 works in the collection
The work takes up the American Express logo, treated in a contemporary graphic composition. The metallic background is animated by embossed wavy lines, creating an effect of visual vibration around the central blue motif. A reflection on brand identity, symbolic value and consumer culture.
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Renouf
1 work in the collection
A figurative painting of vintage inspiration blending advertising aesthetics and a stylised pin-up figure. Warm palette, smooth treatment and assertive frontal composition. The work plays on retro codes and commercial iconography. Edition N139.
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Sacha Sosno
1 work in the collection
Sacha Sosno develops the art of obliteration: part of a figure is concealed by a solid form or a void. Viewers are invited to reconstruct the missing part in their imagination, becoming participants in the work.
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Sayed Haider Raza
3 works in the collection
A geometric composition articulated around a rigorous grid of triangles and lozenges, punctuated by deep blue, green and yellow accents. Continuing the plastic language developed by Raza from the 1970s, the work combines the formal rigour of Western abstraction with the symbolic charge of Indian cosmogonies, where colour becomes meditation and geometry the structure of the world.
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Seund Ja Rhee
1 work in the collection
An abstract composition structured around a central vertical motif, engraved in wood with a dense network of incised lines. The contrasts between lighter areas and darker marks create rhythmic tension and visual depth. The engraving reveals meticulous work with the material, in which the repetitive gesture inscribes time and movement into the very surface of the image.
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Sono York
2 works in the collection
A vertical composition dominated by a textured blue background. Golden symbolic elements (stars, winged figures, decorative motifs) are arranged around a central axis with inscriptions in Hebrew characters. An ensemble of strong mystical and decorative dimension.
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Tomek Kawiak
2 works in the collection
A suspended denim jacket, emptied of any human presence, as if frozen in an interrupted movement. The absence of the body transforms the everyday object into an autonomous sculptural form, oscillating between realism and abstraction. Tomek Kawiak extends here his dialogue with the memory of garments and the fixing of time in matter.
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Victor Vasarely
1 work in the collection
A leading figure of Op Art, Victor Vasarely explores the relationship between geometric form, colour and perception. His plastic alphabet uses interchangeable units to create a universal visual language.
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Youn Cho
4 works in the collection
In Youn Day, Youn Cho stages one of her celebrated little girls, an emblematic figure of her artistic universe. Dressed in a floral hoodie and a vivid pink skirt, she evokes the carefree spirit, gentleness and spontaneity of childhood. Between poetry and nostalgia, this sculpture invites each viewer to recover a simple and sincere gaze upon the world. Edition 6/8.
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